Roughly around the time of Chinese New Year this year, Jakarta leapt to my mind spontaneously. The spectre of a gargantuan city that is a poster child for cataclysmic third world dysfunction played continuously in my head like a kafkaesque daydream.
I needed an excuse to go to Jakarta for a weekend, to get it out of my system. I reasoned that I could take a closer look at this city which author and film-maker Andre Vltchek describes as “the most depressing city on earth” to try to imagine how life must be for majority of its estimated 11 million inhabitants who have to eke out a daily existence in its desperate, polluted and collapsing urban environment. **
[ ** Jakarta combined with its satellite cities Bogor, Depok, Tangerang and Bekasi known by its threat-sounding acronym ‘Jabodetabek’ has a population of more than 32 million making the city the second largest in the world after Tokyo]
The ideal time to go was I reckoned between January and March – the season of lead-coloured skies and unrelenting rainfall, when the rivers, canals and drains in Jakarta bloat and often overflow. I also needed to make this trip before the coronavirus closes in, shutting off as it has done now all air travel and borders.
The old Chinese area of Glodok is not far from my hotel which is located close to the corner of Jalan Gajah Mada – 2.2 km away according to Waze. I decided to walk there under a looming sky after a hearty buffet breakfast. Keeping to a northerly direction on the sidewalk, I looped gingerly around puddles, hawker carts, and helmeted Gojek delivery boys on their shiny scooters; now and then darting between shop awnings, dripping tree canopies and tarpaulin banners to avoid the rain.
History books recount the city’s origin as the Hindu-Buddhist port of Sunda Kelapa. To its harbour ships arrived from near and far to trade including during the 16th century fleets from Portugal that were fitted with cannons and guns. To stop the Christian Portuguese from gaining a foothold in Java, Fatahillah a part-Arab military commander sent by neighbouring Demak burned and captured Sunda Kelapa. The town was renamed Jayakarta and became part of the Banten Sultanate.
Despite the official commemoration of Fatahillah’s victory on 22 June 1527 as the city’s birth date, in truth it is to the Dutch that Jakarta to this day still owes most of its history, architecture and cultural melange.
In 1619 the ambitious Dutch governor Jan Pieterszoon Coen seized Jayakarta from its muslim rulers. He razed the town to the ground, evicted its native inhabitants and built on the site a capital and home port for the Dutch East India Company or Vereenigde Oostindische Compagnie (VOC).
The new harbour’s strategic location on the northern coast of Java between South China Sea and the Indian Ocean would help the Netherlands gain a dominant position in the valuable Indies trade.
Coen wanted to call the settlement Nieuw Hoorn after his birthplace. But the Board of VOC who represented powerful shareholders known as de Heeren XVII (the lords seventeen) vetoed his plan. Instead the Directors decided to name it Batavia after an ancestral Germanic tribe from their boggy windswept estuarine homeland in Europe – Batavieren or Batavi as they were referred to during the Roman period.
The city kept its Dutch-given name for over 320 years until 1942 when the Japanese Imperial Army rolled in during WWII and took over. The lightning speed at which the Japanese went about destroying and dismantling Europe’s empires in the East convinced them of their divine destiny not just to become the new masters of Asia but also its liberators in freeing Asian people from the subservience and mental grip of centuries of white men’s rule.
Japan restored back the name Fatahillah gave to the city in a move to win over the hearts and minds of native Indonesians and in doing so inspire and embolden them to rise up against their former colonial overlords.
All pictures and texts copyright Kerk Boon Leng March 2020